Illustration by Gosia Herba
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Shauna Lyon
Goings On editor
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Today, we publish our fall culture preview, a quarterly feature put together by our arts-and-culture critics to highlight the most interesting events—movies; TV shows; Broadway and Off Broadway theatre; dance performances; museum and gallery exhibitions; rock, pop, and classical-music concerts—happening in New York City and beyond this upcoming season.
Guiding readers to great cultural happenings has been a central part of what we do at The New Yorker from the very first issue. Every week, in the Goings On newsletter, we deliver reviews and spotlights on top events, plus insights into what our critics are watching, reading, listening to, and doing out and about. In an age when the value of cultural criticism is contested, we take pride in diving deeper into the nuances of the most popular entertainment (Sheldon Pearce taps into the worldly intuition of Blackpink) and also in shedding light on lesser-known artists making essential work (Hilton Als brings to our attention the trenchant multimedia work of Stan Douglas). We also hear regularly from our writers on their current obsessions: Jia Tolentino is the reason I discovered Solvej Balle’s “On the Calculation of Volume.” If you don’t get Goings On in your inbox you can sign up here—it’s free for everyone to receive.
In the fall culture preview, Inkoo Kang walks us through her picks for fall TV, including a sitcom spinoff of “The Office” that chronicles an editor-in-chief’s efforts to turn around an Ohio newspaper with volunteer reporters, the noir follow-up to “Reservation Dogs,” and a “mild science fiction" project from Vince Gilligan, the creator of “Breaking Bad” and “Better Call Saul.” Richard Brody previews the season’s movies, which include a new drama from Darren Aronofsky starring Austin Butler, Bad Bunny, and Zoë Kravitz, Jennifer Lawrence’s performance in “Die My Love” as a woman who struggles with postpartum depression, and two artist-centered dramas from Richard Linklater. There’s so much more in the full culture preview, which is available exclusively to our subscribers. If you’re not already one, please consider joining us today. Thank you for supporting our work.
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